10 Things You Could Be Using Photoshop For, But Probably Aren't!

Most people don't use Photoshop to its fullest capabilities. Here are just ten uses to which you could put this highly versatile software.



1. Restoring Old Photographs. Have a look through that old family photo album - the really old one from up in Grandma's attic. Inside there are probably a few photos from way back when that haven't stood the test of time so well. They've got cracks and tears that really spoil their appearance. Scan them into Photoshop, and then set to work with the Clone Stamp, Healing Brush, and Patch tools. The Healing Brush in particular is a great tool for this purpose as it samples data from one part of the picture and blends it in with what's already there.

2. Correcting Mistakes. We've all done it: Had an attack of "finger over the lens syndrome," or got too close with the flash, so our subjects suffer from "red eye" and look like extras from a horror movie. Use the crop tool to salvage something usable from your obscured photo, and the enlarge wizard to blow it up to a reasonable size. For "red eye" and "pet eye," use the eyedropper tool to sample color from around the iris, and a brush to paint away the red.

3. Adding Graphics to Videos. It's a little known fact, but many domestic and professional nonlinear editing systems (especially the Mac based ones like Avid or Final Cut) enable you to import Photoshop .psd files directly into the timeline.

4. Creating Text Effects for Print and Web. There's an almost unlimited amount of things you can do with text in Photoshop. Use the Type Mask Tools to create picture filled text, then upload the results to your web page - or print them out for a one of a kind T-shirt.

5. Turning a Photo Into a Work of Art. Everyone likes to have nice things to look at. Most of us like to have pictures on the wall, and something that looks different from what other people have on their walls is a definite plus. Unless you're blessed with artistic talent, though, this can be very expensive - until now. Use one of Photoshop's many Artistic or Brush Stroke filters to turn your photos into "new masters," then print them out on quality art paper.

6. Designing Web Banners and Buttons. Photoshop comes with a predefined web banner sized canvas. Photoshop's sister application, Image Ready, comes with several - and lots of tools for animating text and pictures. You can also create interactive buttons that enhance a web browsing experience.

7. Adding Text to Photographs. Impress your boss by putting the company name on the side of an airliner, building, or racing car. Use the Move Tool to skew the text to fit the contours of the picture, adjust the opacity a little, and hey presto! The text will look like it's always been part of the photo.

8. Combining Pictures, Text, and Graphics to Make Covers for Books, Reports and CDs. Photoshop contains many of the image manipulation capabilities of high-end DTP applications that cost thousands. Use the "Layer via Cut" command to make your title text go behind part of the picture - just like on the cover of "Rolling Stone."

9. Designing Web Pages. Did you know that Photoshop and Image Ready can turn your photograph or artwork into a web page? Use the slice tool to cut your work into easily downloadable pieces, then the rollover function to embed website URLs.

10. Combining Pictures to Make the Impossible Possible. Come on! You didn't seriously think that Michael Moore and President George W. Bush really stood hand in hand on the White House lawn for the Fahrenheit 9/11 poster, did you? I don't know for certain that they used Photoshop to fake that picture, but they certainly could have done. With Photoshop you can remove the background from one picture, take some elements from another, and combine them with the background from a third to create a picture that could never have been taken for real. Who says the camera can't lie!


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Big D Photo - Creating Lifetime Memories: Turkey-Veggie-Rice-Stuffed Rosemary Buns

Big D Photo - Creating Lifetime Memories: Turkey-Veggie-Rice-Stuffed Rosemary Buns: "Ok...this was too good not to share! I have to thank my friend Ken Withrow with this idea and recipe. We made a few changes, and don't s..."

Turkey-Veggie-Rice-Stuffed Rosemary Buns

Ok...this was too good not to share! I have to thank my friend Ken Withrow with this idea and recipe.
We made a few changes, and don't see why you can't mix things up a bit to get what you want. We used beef instead of turkey, and the rest was pretty much the same. Thinking of doing again in a few weeks, but change up the rosemary for Italian seasoning, and the stuffing will be pizza filling. Even thought of trying a dessert version.  Please let everyone know what you think, and if you try this recipe or another version of it!


Thank you Ken!

Turkey-Veggie-Rice-Stuffed Rosemary Buns

Bun Dough:
1/2 cup of milk
1/4 cup of butter or margarine
1/3 cup of butter
1 package of yeast
2 cups of flour
1 tsp salt
1/4 cup of fresh rosemary, finely chopped
1 egg
2 Tbsp vegetable or canola oil

Filling:
1 pound ground turkey
1/2 large onion (or however much you want), chopped
3 carrots, halved and sliced as thin as you want
2 large stalks of celery, chopped
2 cups chicken stock
1 cup of white rice (or 2 cups of instant brown rice)
6 Tbsp vegetable or canola oil, divided
salt
pepper
garlic powder


Heat the milk with the butter and sugar just until the butter is melted and the sugar is dissolved, stirring frequently. Cool the mixture down to 100-110 degrees Fahrenheit and add yeast. Let yeast mixture sit until frothy, about 5 minutes. In a large mixing bowl, mix the flour, salt, and rosemary with a fork. Add the egg, oil, and yeast mixture to the flour and mix with a fork or a large spoon until the dough comes together. For those with stand mixers, this whole stage of the recipe could be made so much easier if you have a dough hook attachment. Turn the dough out onto a floured surface and knead for about five minutes. Set dough aside in a greased bowl, covered with a towel, for one hour, or until the dough has doubled in volume. Turn the dough out onto a lightly floured surface and punch it down. Cut the dough into 18-24 balls, about 1 1/2 inches in diameter. With a rolling pin, roll each ball out as thin as you can. For lack of a better word, we'll call them dumplings at this point. In the center of each dumpling, spoon a good dollop of the filling. Starting with one edge, fold the dumpling edges around the filling, forming a kind of purse. If you pinch the top shut, you can steam them and call them Chinese steamed buns. I chose to turn them upside down, paint an egg wash on them and bake them at 350 degrees for 15 minutes, and call them stuffed buns.


Filling:
Bring the chicken broth to a boil and add the rice. Cook the rice per the package instructions, which will vary depending on the kind of rice you use.
Heat 4 Tbsp of oil in a large pot, and add the onion, celery, carrot, and salt/pepper/garlic powder to taste. Cook over medium heat, until the onions are translucent and the carrots are tender.
In a skillet, heat 2 Tbsp of oil and add the ground turkey (or chicken, or beef, or whatever other kind of meat you like ground up) and salt/pepper/garlic powder to taste, and cook on medium heat just until the meat is browned. Combine the meat, rice, and veggies together in the large pot, and stir it to mix completely.



Big  D Photo

Photographing Christmas Lights - Use Your Digital Camera To Capture Festive Art Works

Every Christmas householders create artistic light sculptures, adorning their homes with a host of illuminated Christmas decorations, making challenging photo subjects.

 

These temporary displays offer many unique variations using readily available lights. With a large range of lights on offer, the creative expression comes from how they are used. This depends on the design and layout of the house and garden.

Gardens without large plants offer an unobstructed view over a wide area, while trees offer a number of additional possibilities, including the obvious Christmas tree.

The considerable physical and creative work involved in creating a home Christmas display deserves recognition and preservation. The variety provides a rich, if short lived, opportunity for photographic essays.

The photographer adds their own creative input by choosing viewing angles and selecting parts of the scene using the angle of view of the digital camera lens.

Another important variable is the time of day. Complete darkness may not present the best conditions for the display. Partial darkness with silhouettes of buildings, trees and other features provides a context for the lights. This can be tricky, because the scene changes rapidly as the natural light fades, and there may be only a short moment to capture the ideal image.

Equipment
•A tripod is essential, as exposures around the one-second mark are common in this type of photography. The tripod should be compact and easy to set up for use in the dark in a public places.
•The digital camera should have a setting for manual adjustment of the shutter speed for timed exposures.
•Lens choice is not critical, as most general-purpose zoom lenses are suitable. They need enough of a wide-angle setting to get a whole house from the sidewalk and then enough zoom to isolate elements of the display.
•A small pocket torch provides useful light for changing tripod or camera settings.

Correct Exposure
There is no such thing as the correct exposure. With so many competing light sources, exposure is a compromise: capturing the bright lights without shortchanging the more subtle effects. Human eyes and brain automatically compensate for these differences as we scan a scene.

The large dark areas in the scene may fool the camera’s metering system, so experimentation is the key to determining exposure. Start with a shutter speed of half a second and use the LCD display to gauge the results. Look for the sharpness of the brightest lights in the scene. Adjusting the shutter speed is the main method of achieving a pleasing exposure for the images.

ISO or sensitivity should be set to its lowest value for optimum noise performance.

Aperture choice is not critical for exposure. Choose an aperture with depth of field as a major consideration.

With a very high range of contrast from pitch black to bright white, it is very hard to fit all the light levels into the 256 values for light level allocated in most cameras.

One advanced solution is to take a series of images optimizing the exposure for the different areas then combine them later in Photoshop or the Gimp. Even if this technique may appear beyond your present capabilities, if the originals are stored safely then the images can be combined at any time.

White Balance
Modern digital cameras generally are very good at compensating for the inherent color of different artificial light sources. However, in this case white balance is difficult with many different colored lights the digital camera struggles to find a reference point.

This may not be a major concern, as the point of the digital image is to capture this variety of artificial colored lights. Reality may not be the creative option.

If a RAW file format is available in the digital camera, then various software packages offer options for measuring and setting the color temperature. This allows photographers to concentrate on a particular part of the image and adjust the image’s white balance for a particular area. The photographer decides on the most important area of the image and its correct color.



Big D Photo

14 Great Tips for Better Holiday Photos

Do you want better holiday photos? Are your snaps a bit of a let down? Follow my 10 top tips to get photos that will live up to the memories. You'll be amazed how good they'll look and your friends and family will too.

1. To get clear photos avoid camera shake or moving the camera as you take the photo. Squeeze the shutter gently and steady yourself against solid objects.

2. Frame the shot carefully to get well framed photos and keep fingers and other items away from the lens. Obvious but true and yes I have done it.

3. Experiment with compositions. Use roads and paths as strong lead-in lines, use objects in the foreground to add interest and tilt the camera for added drama.

4. Look for details. Often close-up shots of local objects can say as much about a location as scenic panoramas.

5. Take photos in the early morning light or the hour before sunset, know as the 'Golden Hours', for dramatic lighting.

6. Get up early and capture your holiday destination with a different character, empty of tourists and peaceful.

7. Really fill the frame with your subject for extra impact. Get close and then closer still. Move around and take photos from different angles.

8. Ask permission first if you want to take photos of local characters to avoid causing offence on cultural, personal or religious grounds.

9. Take photos on bad weather days. Some great atmospheric shots can be achieved when the weather is bad especially with stormy seas.

10. Frame your subject through doorways or windows to create a frame within a frame. Street entrances or trees can also work.

11. Photograph the old next to the new, modern next to the traditional or poverty in the midst of riches. These statement making photos will really stand out.

12. Look for strong graphic images such as sunset silhouettes or combinations of colour and form.

13. The sky can often be as dramatic as the land. If it is include more sky or even just the sky.

14. If you're shooting digitally check your shots as you go to make sure you get the best ones.

My final words are experiment, get involved, have fun. Don't be too stiff, relax and get into it. With digital cameras you can take as many photos as you want and just keep the good ones.


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Digital Cameras - What You See is Not Always What You Get

For those of us who use a compact digital camera for "casual" purposes, we've had the experience of setting up our shot, getting our subjects just where we want them, and then presto; the resulting image shows the top of the head or an arm missing from the scene.

What occurs in these instances is a frustrating phenomenon known as "parallax error". Stated simply, it is the result of the camera having one lens through which the camera focuses and records images and another lens through which the photographer views the scene to be shot. The two views are not identical and thus, the image that results is not always as we envisioned it through the viewfinder. This error is most pronounced when shooting at close range; such as in most "portrait" type shots.

Even those of us who are amateurs can avoid "parallax error" by one of just a few methods.

• Use the correction marks. Many digital cameras provide lines that can be seen through the viewfinder which approximate the border of the image being taken to visualize what the lens is truly seeing. The photographer then needs to adjust the shot as necessary. Reading the owners manual will reveal whether a given camera has this feature.

• Use the LCD to frame the shot. The LCD screen better represents the image that the picture-taking lens is seeing. There are limitations however with this method. First, the LCD screen is sometimes difficult to view in bright, outdoor light making it difficult to use in such situations. Secondly, the LCD screen on many digital cameras displays only 85% of what the lens sees which can result in more of a scene being captured versus less The final drawback is simply the extra energy required to operate the LCD. An electronic viewfinder is another option. An EVF takes the image captured by the lens and electronically transfers it onto a display screen.

• Consider the purchase of a digital camera with a TTL mechanism. The parallax error occurs with any TLR (twin lens) camera but not those with a TTL mechanism (through-the-lens). With TTL, the photographer views a scene through the same lens that records the image and is thus able to frame a scene accurately. SLR (single lens reflex) cameras use TTL. These cameras however, are considerably more expensive, bulky and complicated than a compact or traditional point and shoot type camera although for an avid amateur the additional control they offer to the photographer is a tremendous asset.

For the average consumer, a compact or point-and-shoot camera is the product of choice due to their portability and ease of use. Even with these more basic models, use of the correction marks or the LCD screen to frame shots taken at close range can help to significantly reduce any parallax error. For others who may want more creative control and don't mind a larger and more complicated camera, an SLR camera can eliminate parallax error altogether.


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Great Things About Photography

Are you thinking about taking up the hobby of photography? Many who have already discovered this exciting and fulfilling hobby can tell you the top ten reasons why photography is so great. Maybe you will be captivated by this compelling and diverse art as well.

1. The Challenge of Getting the Perfect Picture
If at first you don't succeed, try, try again. Sometimes a hundred shots have to be taken and you have to try for several days to get just the picture you want. An individual must have patience, but at the end of the day a great sense of accomplishment is felt from capturing the best part.

2. Tell A Story
From beginning to end of a snowball fight, with people throwing their first snowball and eventually rolling in the snow and then dusting off, you can see the event and it tells the story of friendship, fun and joy of life. Looking at pictures of an old family farm from its humble beginnings to the growth and increase over a hundred years it tells a story of family, hard work and sacrifice. Everyone has a story, photos can share that story and bring it to life.

3. Express Individuality
A photographer subject matter will reflect their interests, likes and preferences. A photo can also reflect the individuality of a subject. The clothes they choose to wear and the location they want the pictures shot all show who they are and their personality.

4. Joy and Laughter Increase
Anyone who looks at their first grade picture can attest to this fact. What is more fun than looking back at your younger years or seeing the awkwardness of adolescence? In your later years of life, seeing a picture of your family working or playing together warms your heart and lets you remember good times and better health. A photo lets us travel over the decades and brings back moments that make us laugh and carries us through the hard times.

5. See Things Truly As They Are
Somethings are so perfect- the petals of a flower, the height of a Redwood, the still calm of the lake at dawn. They draw you in to the grace of nature and life in purity and simplicity. The sweet smile of a child reflects the goodness of life and all the hope for what we can become and achieve. This is what life is and who we are in it.

6. Solitude of the Dark Room
The magical atmosphere of the dark room leads you to discover the potential of the photograph. Lightness, darkness, shadows all are in the control of the photographer. It is a work done alone with your ideas and skills combined to bring out the story of the photo before you.

7. Understand the Emotions of Others
As you look over the events of history and witness the faces of those who endured the depression or see victims of the Holocaust you can see in their eyes what they have endured. Their faces portray their hearts and hurts and although you were not there, you understand what they carry with them a little more.

8. A Gift to Others of Their Most Precious Moments
After the couple returns from the honeymoon one of the first priorities is to get the wedding photos. One of the happiest days of their lives is recorded forever. When someone does something for you that you can't do for yourself you feel indebted and forever grateful. It is a special gift to give someone their special memories and most cherished events.

9. Once You Capture a Moment You Can Display it
From the famous to the personal, photographs reveal lives of people. Some are placed in history books, some on the walls of a museum and some in the home. When they are displayed they are able to reach into the lives of others and stir emotion and thought. Photos are meant to be shared and seen.

10. The Only Way You Can Freeze Time
A photo is a moment frozen in time for a person to enjoy and remember whenever they want. The look, the expression, the emotion only happen for an instant. Although someone might carry it in their heart, with time the memory fades. If a photo is taken a child is able to see the happiness of their parents on their wedding day, a parent can see how small their child was the day they brought them home for the first time and all the years after as they grew to adulthood. All the birthdays, first days of school, vacations and friends can be captured and with you always. Time and space do not take a loved one from us when we can see them and the moments we share together, always.



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Take Great Photographs With Cameras - 7 Tips

Taking great photographs with today's automatic cameras allows anyone to produce a sharp, well-exposed image. If you are just beginning to use an 'auto-everything' camera like a 35mm compact or program SLR then your main area of control is going to be in the composition of your photographs. No one can tell you how to take a great picture because it comes down to your ability to 'see' the potential to create a picture. Never-the-less, here are 7 tips and techniques you can use to improve the final look of your photographs. You will find some of the most popular, effective and easy to implement photo techniques, that you will be able to start using right away, to improve your picture taking.

Tip 1: Read your camera manual, then read it again. Keep it with the camera and learn all of your camera's features. The more familiar you become with what your camera will do the more you will be a photographer and not just a picture taker. The more your camera automatically becomes an extension of your eyes and fingers, the more you can concentrate on your photo before you take it.

Tip 2: The Rule of Thirds. Divide the image in your viewfinder into three sections with 2 imaginary horizontal and 2 imaginary vertical lines. Place your subject near one of the intersections of those lines.
Placing your subject off-center creates an interesting, dynamic image that makes the photo more interesting.

Tip 3: Find fresh angles to take your photograph from. Change your viewpoint or the angle of view, don't be afraid to shoot from a low angle especially when photographing pets. Several years ago a single use camera manufacturer gave a camera to each of a group of younger children, the resulting pictures changed the way we look at camera angles to take photographs. When you change your camera angle be sure to get horizons horizontal. Be conscious of getting Images Straight and be sure to fill your picture frame.

Tip 4: Create active space - When photographing any object that is moving or would require space if it moved. leave space for the move. If you photographed your pet and placed the nose on the edge of the photo and left space behind, the photo would look very uncomfortable. Leave room in front and put the back close to the edge of the photo to create active space.

Tip 5: Getting backgrounds right and framing your shots. Use a dark background for taking a picture of a light object, or, alternatively, a light background for a picture of a dark object.

Caution: Absolutely light backgrounds cause flare effect that lead to reducing the overall contrast of a picture. The use of an object to frame your photo can greatly reduce this effect. For example you can use a tree limb over the top part of your photo when you take scenic photos to help improve the composition and reduce the glare.

Tip 6: Center of Interest. Try and keep only one center of interest having too many interest points in a photo is distracting causing the viewer to lose focus and interest. Use Tip 2 to place the center of interest in the proper place. When you shoot people portraits keep the subjects eyes around the top 1/3rd grid line.
Always use less distraction. Sometimes your mind tends to exaggerate what you see through the viewfinder of your camera. Very often things are perceived bigger than they actually are. What you end up with is a photograph with huge areas of wasted space around the edge and people with things growing out of their heads.

Tip 7: Editing: Before you show anyone all those holiday photos you took, edit your work. Take out all the doubles, all the duds, the ones that are out of focus and generally the ones you think are crap. Only show people the good stuff and your perception as a photographer immediately increases. Pro's often shoot a load of junk like anyone else, they just don't show it to anybody.


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Digital Cameras - What You See is Not Always What You Get

For those of us who use a compact digital camera for "casual" purposes, we've had the experience of setting up our shot, getting our subjects just where we want them, and then presto; the resulting image shows the top of the head or an arm missing from the scene.

What occurs in these instances is a frustrating phenomenon known as "parallax error". Stated simply, it is the result of the camera having one lens through which the camera focuses and records images and another lens through which the photographer views the scene to be shot. The two views are not identical and thus, the image that results is not always as we envisioned it through the viewfinder. This error is most pronounced when shooting at close range; such as in most "portrait" type shots.

Even those of us who are amateurs can avoid "parallax error" by one of just a few methods.

• Use the correction marks. Many digital cameras provide lines that can be seen through the viewfinder which approximate the border of the image being taken to visualize what the lens is truly seeing. The photographer then needs to adjust the shot as necessary. Reading the owners manual will reveal whether a given camera has this feature.

• Use the LCD to frame the shot. The LCD screen better represents the image that the picture-taking lens is seeing. There are limitations however with this method. First, the LCD screen is sometimes difficult to view in bright, outdoor light making it difficult to use in such situations. Secondly, the LCD screen on many digital cameras displays only 85% of what the lens sees which can result in more of a scene being captured versus less The final drawback is simply the extra energy required to operate the LCD. An electronic viewfinder is another option. An EVF takes the image captured by the lens and electronically transfers it onto a display screen.

• Consider the purchase of a digital camera with a TTL mechanism. The parallax error occurs with any TLR (twin lens) camera but not those with a TTL mechanism (through-the-lens). With TTL, the photographer views a scene through the same lens that records the image and is thus able to frame a scene accurately. SLR (single lens reflex) cameras use TTL. These cameras however, are considerably more expensive, bulky and complicated than a compact or traditional point and shoot type camera although for an avid amateur the additional control they offer to the photographer is a tremendous asset.

For the average consumer, a compact or point-and-shoot camera is the product of choice due to their portability and ease of use. Even with these more basic models, use of the correction marks or the LCD screen to frame shots taken at close range can help to significantly reduce any parallax error. For others who may want more creative control and don't mind a larger and more complicated camera, an SLR camera can eliminate parallax error altogether.




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Wedding On A Budget

Traditionally, the bride's family paid for the costs of a wedding while the groom would incur the expense of the honeymoon. These days it is not uncommon to find many couples paying for their own wedding from their own funds. However, you don't have to spend a fortune or go into debt to have a beautiful wedding. Determine the amount of your budget and stick to it. Keep track of all your expenses and receipts in a folder or binder so that you can stay organized and accurately keep track of where your money is going. Here are some helpful tips to help you stay within your wedding budget.

Wedding Dress
• Avoid overly elaborate dresses because they will be more expensive.
• Choose a floor sample dress and just have it dry cleaned if necessary.
• Look for your dress during prom and homecoming or consider wearing a bridesmaid dress. You can find a beautiful white or cream colored dress during that would be perfect for a wedding at a fraction of the cost of a traditional wedding dress.
• Look at consignment shops and the classified ads. Wedding dresses are generally only worn once so you can get a gently used dress at a huge cost savings.

Reception
• Keep the number of guests down. You and the groom should look at the first draft of the guest list and carefully consider who can be taken off the list.
• Have a cash bar instead of an open bar. Or you can also just provide wine and beer to keep the costs down.
• Hold the ceremony and reception in the same location. You will be able to cut the cost of the location for the ceremony, decorations and transportation to the reception site.

Flowers
• Purchase your flowers wholesale and just pay for the labor of a professional florist to arrange them.
• Arrange the flowers yourself. A bouquet made of all roses with a little eucalyptus filler and tied with ribbon makes a stunning bouquet and you do not need to be a professional to put this together.

Photography
• Find a photographer with reasonable hourly rates and pay only for the time to do your formal poses. You can then designate friends or family to take the candid shots throughout the rest of the reception.
• Put disposable cameras at each table with a note asking guests to take pictures to help you capture memories.

Invitations
• Print your own invitations using your home computer. Visit your local arts and crafts store or search online and purchase a do-it-yourself invitation kit.

Miscellaneous
• Make your own wedding favors. Wrap up jordan almonds or other candies in lace and tie with ribbon pre-printed with your names and wedding date.
• Keep the number of chosen bridesmaids and groomsmen to a minimum or choose not to have them at all. This will keep the rehearsal dinner cost down as well as eliminate the need to buy groomsmen and bridesmaid gifts.


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Digital Photo: Things to Know

The best thing about a digital photo is that you can manipulate it to the extent of your imagination. This manipulation can be achieved thanks to various software packages available on the market, varying in complexity from the feature packed Adobe Photoshop to Paint Shop Pro.

Still, there is magic when a digital photo is modified by experienced hands and eyes, allowing that unbelievable moment to be captured in such a way as to never be forgotten, but even then they can be refined further. It is the story or the impression behind that moment that keeps the viewer enamoured with the photo for a longer period of time.

It takes time to become a perfect photographer and one needs to grow though experimentation and experiences.

However a basic knowledge of the techniques of photographing is must. A digital camera is not all that is required to make a good photographer.

Primarily, know your camera well. Read the manual top to bottom, and then go out to play with the machine.

Now come back to the basics and learn about other things like exposure, shutter speed, aperture etc that helps you to customize your digital photo in real time. You can find a lot of hand books online and offline to get an initial idea of how this is achieved.

As a brief explanation of some of the primary terms; exposure is the point in the process of taking a photo when the light sensitive film or sensor is exposed to a light source. Over or under exposure may destroy the image, so be careful while setting it in your digital camera and capturing the photo.

Shutter speed is the time period for which the shutter is held open for light to reach the digital photo sensor. Depending on the variations of combinations of lens aperture and sensor's sensibility, it regulates how much light the camera will record when taking a digital photo. Shutter speed can directly affect the quality of your digital photo dependant on the situation and whether the object is moving or still.

An aperture is a hole or the gap through which light enters into the camera sensor or the film.

One should always remember that they cannot go far when skipping the basics of the trade when taking these elements into consideration.

There are so many other important aspects that you need to know for taking visually good digital photo. We will come to them later.

Now, when you go out again to play with your digital camera, try to realise the potential for variance with all aspects mentioned here. With a digital camera you always have the option to know about the quality of the photo without taking a print.

One last thought: while taking a digital photo try to sort out by yourself the relationship between "object" and "film-depth".

Last minute experiment: keeping camera settings the same, change the location of the object in respect to the frame. Download these digital photos in your computer and study them critically and objectively.

You have all the answers.




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